“I know,” whispered Joan. “I’ve been there, too. I knew you were doing it, though I didn’t quite know how—till the other day. I wouldn’t think. I wanted to pretend that I didn’t. I know all you can say. I’ve been listening to it. It was right of you to want to give it all up to me for his sake. But it would be wrong of me to take it. I don’t quite see why. I can’t explain it. But I mustn’t. So you see it would be no good.” And then the pew-opener had stolen up unobserved, and had taken it so for granted that she would like to be shown round, and had seemed so pleased and eager, that she had not the heart to repel her. A curious little old party with a smooth, peach-like complexion and white soft hair that the fading twilight, stealing through the yellow glass, turned to gold. So that at first sight Joan took her for a child. The voice, too, was so absurdly childish—appealing, and yet confident. Not until they were crossing the aisle, where the clearer light streamed in through the open doors, did Joan see that she was very old and feeble, with about her figure that curious patient droop that comes to the work-worn. She proved to be most interesting and full of helpful information. Mary Stopperton was her name. She had lived in the neighbourhood all her life; had as a girl worked for the Leigh Hunts and had “assisted” Mrs. Carlyle. She had been very frightened of the great man himself, and had always hidden herself behind doors or squeezed herself into corners and stopped breathing whenever there had been any fear of meeting him upon the stairs. Until one day having darted into a cupboard to escape from him and drawn the door to after her, it turned out to be the cupboard in which Carlyle was used to keep his boots. So that there was quite a struggle between them; she holding grimly on to the door inside and Carlyle equally determined to open it and get his boots. It had ended in her exposure, with trembling knees and scarlet face, and Carlyle had addressed her as “woman,” and had insisted on knowing what she was doing there. And after that she had lost all terror of him. And he had even allowed her with a grim smile to enter occasionally the sacred study with her broom and pan. It had evidently made a lasting impression upon her, that privilege.!

She would write books. She would choose for her heroine a woman of the people. How full of drama, of tragedy must be their stories: their problems the grim realities of life, not only its mere sentimental embroideries. The daily struggle for bare existence, the ever-shadowing menace of unemployment, of illness, leaving them helpless amid the grinding forces crushing them down on every side. The ceaseless need for courage, for cunning. For in the kingdom of the poor the tyrant and the oppressor still sit in the high places, the robber still rides fearless. He did not ask her how she had learnt it. “She gave it up when we were married,” he said. “The people she would have to live among would have looked askance at her if they had known. There seemed no reason why they should.”

“I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.” “The business of the journalist,” the man had continued, “is to destroy the truth, to lie, to pervert, to vilify, to fawn at the feet of Mammon, to sell his soul for his daily bread. We are the tools and vassals of rich men behind the scenes. We are the jumping-jacks. They pull the strings and we dance. Our talents, our possibilities, our lives are the property of other men.” He did not answer; and they sat for a time in silence.